So it would be understandable for a young woman in her thirties with a rather shy and secretive nature to want to express her innermost self through her writings. This loud, excitable introduction is followed by a quieter second line that helps put things into perspective. Emily Dickinson was a deeply religious person yet not in a conventionally pious way. It could represent deep love as water often is a metaphor for feelings. “To a Heart in port” refers to a heart that can’t sail. We saw two more wild cats creeping towards us in the darkness..., The lane was lined with wild flowers. I suppose we are all thinking of Immortality, at times so stimulated that we cannot sleep. Done with the Chart! Second, we’ll note that rowing can easily be argued to be a metaphor for sex. Here, you can read an early published version of Emily Dickinson’s Wild Nights—Wild Nights. The prominence of this word in the first stanza, coupled with full rhymes, suggests a leading role. The poem is clearly an erotic poem expressing desire. We think this depends on you! Often, subtle meanings were destroyed, and the true meanings of some poems were entirely lost—so it’s important to read a correct version of the poem! Five people were injured as Reynolds slashed out wildly with a kitchen knife. The line “To a Heart in Port” should be read as a lover having reached her love. Wild nights - Wild nights!Were I with theeWild nights should beOur luxury!Futile - the winds -To a Heart in port -Done with the Compass -Done with the Chart!Rowing in Eden -Ah - the Sea!Might I but moor - tonight -In thee! However, instead of taking this all to be about a carnal desire for another individual, we interpret the whole poem as an extended metaphor about wanting to be with God. Keep in mind that when you make the long-e sound, your mouth is smiling. Everything that could grow was running wild for lack of attention... A wild boar is a large fierce pig which has two long curved teeth and a hairy body, and lives in forests. In other words, luxury in this poem can be equated with lust. Secrets are interesting, but they are also solemn - and speculate with all our might, we cannot ascertain. All these expressions of sensual feelings could really be a metaphor for how the narrator feels about God. If something or someone, especially a child, runs wild, they behave in a natural, free, or uncontrolled way. "Wild Night" is a song written by Irish singer-songwriter Van Morrison and is the opening track on his fifth studio album Tupelo Honey. There is an inconsistent rhyme scheme based around abcb - the second and fourth lines being full rhyme (thee/luxury, sea/thee) except in the second stanza where it is near rhyme (port/chart). It was not at all an environment open to the expression of sexual feelings much less an environment that allowed one to act on them. Wild Nights is a veiled reference to death. It was released as a single in 1971 and reached number 28 on the Billboard Hot 100 chart. This extract does underline the fact that she felt death was not the end but a new beginning, a natural transition. However, Higginson considered reading sensual feelings into these lines a mistake given his view of Dickinson as a “virgin recluse.”. The Wild West is used to refer to the western part of the United States during the time when Europeans were first settling there. Then, we get a reference to the sea. Could tonight be an allusion to sleep and thus death? However, a more interesting interpretation is possible. Andrew has a keen interest in all aspects of poetry and writes extensively on the subject. The biblical allusion to Eden suggests that this could well be a religious metaphor for a new relationship with God. But, clearly what the narrator wants is to be with someone, so that wild nights of luxury can be had. We can take Ah at face value as expressing a feeling. The biblical allusion to Eden suggests that this could well be a religious metaphor for a new relationship with God. The word luxury, these days, tends to refer to stuff we don’t need but that we want. Does it sound as if we just dropped off the deep end? A typical Wild Nights—Wild Nights analysis might be as follows. In any event, let’s look at the final stanza to see whether it lends credence to any particular analysis or interpretation. The second and third stanzas of this poem contain metaphors - a Heart in port, a boat at sea - then moored - which could be interpreted as an emotional bonding, a physical coming together, that cannot be undone. In thee! Wild Nights is a short 3 stanza poem with that typical Emily Dickinson look about it - odd syntax, with dashes punctuating lines as well as ending lines and enjambment plus plenty of exclamation marks/points. The wilds of a place are the natural areas that are far away from towns. When we die we will be with God, and that will be the ultimate obtainment of any desires we might have. If you refer to someone or something as a wild card in a particular situation, you mean that they cause uncertainty because you do not know how they will behave. A very direct way to interpret the second stanza would be as follows. Note the plural. They went canoeing in the wilds of Canada. It refers to a night of passion, whether that passion is of a sexual or spiritual nature is up for interpretation. It’s a very nice calling back of the feelings from the first stanza. Some ambiguity has already crept into the interpretation as the speaker announces that the winds cannot be of any use. The beauty of the poem is that it is open to so many interpretations. They are stuck in port. The first stanza expresses a deep desire to be with someone, but something is keeping the couple apart. They “should be” together, but they are not. And could this idea have been taken from her poem, which was written a few years earlier? The narrator doesn’t want to be in port. This poem is written in dimeter, two feet on average per line, but the type of foot alters a bit from stanza to stanza, strengthening the notion that the speaker is in a boat, rowing, yet the experiences are slightly different as the poem progresses. We hope we’ve opened you up to many possible different interpretations of Wild Nights—Wild Nights. There’s even more here to consider. Futile – the winds – There's little doubting that the poet's use of certain words, which she must have known about, points towards the poem's theme being sexual in nature. Wild behaviour is uncontrolled, excited, or energetic. This suggests we’re talking about a carnal desire so pure it feels just. All rights reserved. In the second stanza, the persona remarks that the winds cannot avail against a Heart in portthat is, a lover can transcend lifes buffetings, given the stability provided by love. is a poem by Emily Dickinson, one of the most famous and original of American writers. The last three lines of Wild Nights—Wild Nights are very pivotal to whatever interpretation we want to give the poem. Journalists sometimes use wild child to refer to a teenage girl who enjoys herself in an uncontrolled way, for example by going to a lot of parties. His poems are published online and in print. In the first stanza, the narrator expresses a passionate desire to spend the night with someone in lust. A wild guess is one that you make without much thought. However, instead of taking this all to be about a carnal desire for another individual, we interpret the whole poem as an extended metaphor about wanting to be with God. As she finished each song, the crowd clapped wildly. Yet, the reader needs the second line to confirm that the setting for this little drama is the sea. If that’s not enough for you, there’s still another way to view the last two lines. Higginson wrote to Todd about this particular poem: 'one poem I dread a little to print - that wonderful Wild Nights - lest the malignant read into it more than that virgin recluse ever dreamed of putting there'. However, an older, more traditional meaning, is that of lasciviousness. Before the word. The first stanza clearly suggests sexual feelings for someone and a desire to be with them. The couple’s desire is so strong that they “should be” together. So there is no need for a compass or a chart. expression used to describe metaphorically a period of ignorance and spiritual crisis that precedes the communion with Divinity ; 2. in a larger meaning, it is used when refering to having a hard time, going through a phase of pessimism, sadness, failure etc. If Emily Dickinson had known precisely the feeling she wanted to express when she wrote Wild Nights—Wild Nights, she wouldn’t have written a poem! The Poetry Handbook, John Lennard, OUP,2005. Finally, the third stanza expresses again the desire to be with someone. So again, there’s a tension here between whether the narrator of Wild Nights—Wild Nights is referring about erotic feelings for a real person, or whether these sensual feelings are really just a metaphor for feelings about God. It’s the word, futile. As a parallel to this thought, no longer does a lover require compass or chart on troubled seas, since in finding love, the voyage is done, the port reached. That’s fine. We read this as the narrator having feelings of desire, but that because of the religiously restrictive culture around them, these desires cannot be satisfied. You can complete the definition of wild night given by the English Cobuild dictionary with other English dictionaries : Wikipedia, Lexilogos, Oxford, Cambridge, Chambers Harrap, Wordreference, Collins Lexibase dictionaries, Merriam Webster ... English-Simple Definition dictionary : translate English words into Simple Definition with online dictionaries. He had come to love the danger and the wildness of his life. But now watch the first word we get, in this stanza. This is the version our Wild Nights—Wild Nights analysis will be based on. Translation English Cobuild Collins Dictionary, Collaborative Dictionary     English Cobuild. which is used in some computing commands or searches in order to represent any character or range of characters. For a long time I daren't tell him I knew, and when I did he went wild. Everything hinges on the word luxury, which, in the context of this first stanza and the poet's life, points to a fulfilment of an intense desire. At night, we sleep, and sleep is a metaphor for death. The second stanza could be expressing a rejection of God. The second stanza expresses that the situation is futile because the narrator is in port. The house is in a mess after a wild party. Moreover, we must consider the highly restrictive religious environment she’d been surrounded by since her birth. A punch delivered in a Friday or Saturday, celebrate smth. Or the sea could be God, and the narrator simply wants to be moored to God in a metaphorical sense. Any Wild Nights—Wild Nights analysis would be incomplete without first addressing this issue. Exceptional invitation to a player to participate in a tourney without having to qualify for it. The energy and exultation with which Emily Dickinson opens this, one of her most passionately felt poems, encourages us to share the excitement and passion, or at least dares us to try to resist it. The narrator wishes to be moored in “thee.” Could “thee” refer to the Sea? It’s a desire to be able to embrace a pure love, physically. Bear with us and our analysis of Wild Nights—Wild Nights. Yet are we deluding ourselves when we entertain notions of the shy poet and her sexual longings? And the sea can be understood to mean the passion or emotion, the element we all return to. Were I with thee